"It’s there even if people don't know it, Blues is soul, so anything soulful has a bit of blues and emotion to it. It's pure at least the true blues is to me."
Kirk Fletcher: The Blues Dreamer
Widely considered one of the best blues guitarists in the world, Kirk Fletcher has commanded the respect and acclaim of critics, peers and fans across the globe. He is a four-time Blues Music Award nominee and has played with a variety of popular artists, including a four-year role as lead guitarist of The Fabulous Thunderbirds. Kirk first picked up a guitar at age eight, playing alongside his older brother Walter in their father’s church. It wasn’t just a gospel influence that Walter shared with Kirk, but an appreciation of many musical styles from Hendrix to Steely Dan. One of the most important lessons Kirk received from his brother was about having great guitar tone, something Kirk is known for today. That early experience guided Kirk through high school as a member of the jazz band, and by graduation he was collaborating with friends and taking off on road trip around Southern California. One day he found himself in a guitar shop, which ultimately became his second home after meeting Jeff Rivera, Robben Ford’s guitar tech. Photo by Jonathan Ellis
It was in the next few years that Kirk’s full introduction to traditional blues occurred. He started seeking out other musicians who shared this same understanding – enter singer and harp player Al Blake. He helped Kirk to establish connections to other West Coast artists like Junior Watson and Lynwood Slim. So followed Kirk’s first gigs as a blues guitarist and eventually the recording of his first album I’m Here and I’m Gone for the JSP label. Al would also introduce Kirk to Kim Wilson, who invited him into his then-project, Kim Wilson’s Blues Revue. One highlight during this time was at Antone’s 25th Anniversary, which gave Kirk the opportunity to perform with his blues heroes Pinetop Perkins, James Cotton and Hubert Sumlin. So began four years on the road with the Thunderbirds and time spent with many blues artists along the way, including a brief stint with the late Doyle Bramhall Sr. Kirk contributed to the Thunderbirds’ Paint It On before embarking on another record of his own, a release entitled My Turn (2010). Since then Kirk has been singing and leading his own band between the occasional international tour as a member of The Mannish Boys and as lead guitarist for Italian, Eros Ramazzotti. Kirk released a live album Live At the Baked Potato Burning Blues (2014) and his ready for the next project.
What do you learn about yourself from the blues culture and what does the blues mean to you?
The blues is life to me because the originators were singing of life experiences. And I somehow could relate to it on some kind of level at a young age. Maybe because of my religious background it seemed closely related. And it just seemed to be pure emotion, and I have searched my whole life for that. Be it happiness, sadness, anger, Love.
What were the reasons that you start the Blues researches? What characterize your sound and songbook?
It started by hearing these great guitar players like BB King, Bobby Bland with Wayne Bennett, SRV, Albert Collins, and many others. And I was always a person to try to dig deeper so I would read who my idols listen to and I would buy those records, like so many others have done. Seeing BB King on TV and getting a chance to see Albert Collins live shaped my early sound and playing. Also my dynamics. Songbook constantly changed from day to day. One day Stevie Ray the next Sonny Boy Williamson. And that always kept it interesting.
"The blues is life to me because the originators were singing of life experiences. And I somehow could relate to it on some kind of level at a young age. Maybe because of my religious background it seemed closely related. And it just seemed to be pure emotion, and I have searched my whole life for that. Be it happiness, sadness, anger, Love." (Kirk Fletcher / Photo by Jonathan Ellis)
Which meetings have been the most important experiences for you? What is the best advice has given you?
Every single thing has been important to me, good or bad. Either what to aspire to or what to look out for. The guy at Lamar's records in Long Beach, Al Blake, Jr. Watson, Chris Cain, Kim Wilson, Rusty Zinn, Lynwood Slim, James Cotton, Hubert Sumlin, and it would be a hundred more tomorrow! hahaha! Arthur Adams telling me to join BMI was huge!! That is one that comes to mind. Friends telling me to start singing, even if it did take me forever to start.
Are there any memories from gigs, jams, open acts and studio sessions which you’d like to share with us?
There are so many to name, but joining Charlie Musselwhite’s band, and joining The Kim Wilson Blues band stand out because I was a young guy and I got to experience a lot and I still lived at home so it was no pressure. And also playing with the older generation bluesmen was absolutely a thrill!!
What do you miss most nowadays from the blues of past? What are your hopes and fears for the future of?
I miss being able to hear blues in clubs 7 nights a week and sitting in with your peers and Saturday afternoons at the Blue Cafe. I hope that it will come around and more live music clubs will come back and my fear is that it won't.
If you could change one thing in the musical world and it would become a reality, what would that be?
What are the lines that connect the legacy of Blues with Jazz and continue to Rock, Soul and Gospel music?
The Song, The history, Soul...
"Every single thing has been important to me, good or bad. Either what to aspire to or what to look out for."
(Photo by Jonathan Ellis)
What has made you laugh and what touched (emotionally) you from the Antone’s 25th Anniversary Week, TX?
Ted Harvey's (drummer for hound Dog Taylor) blowing his whistle to get everyone on stage was so funny and awesome at the same time! Seeing Kim Wilson stop and listen to James Cotton play with me, and laugh with me. And a great picture I have of me and James Cotton. And me getting to play with Hubert Sumlin.
What is the impact of Blues music and culture to the racial and socio-cultural implications?
It’s there even if people don't know it, Blues is soul, so anything soulful has a bit of blues and emotion to it. It's pure at least the true blues is to me.
Let’s take a trip with a time machine, so where and why would you really wanna go for a whole day..?
I would want to go to the Bobby Blue Bland session's for "Dreamer", and hear BB King live during the mid-sixties. Catch a week at the Fillmore East or West, Chicago in the mid to late sixties. The list can keep going!!
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