"When poetry and music come into being the spirit is free, released, out of it's daily prison."
Rhythmic arrangement of words
David Budbill was born in Cleveland, Ohio, in 1940. He is the author of seven books of poems, eight plays, a novel, a collection of short stories, a picture book for children, dozens of essays, introductions, speeches and book reviews, the libretto for an opera and is a performance poet on two CDs. He was for a time a commentator on National Public Radio’s All Things Considered.
In September of 1999 published the first book of poems in a series: Moment to Moment: Poems of a Mountain Recluse. David tours occasionally with avant-garde bassist and composer, William Parker and drummer Hamid Drake. In 2003 the three released, Songs for a Suffering World: A Prayer for Peace, a Protest Against War. William Parker and David also released in 1999, Zen Mountains-Zen Streets: A Duet for Poet and Improvised Bass.
In 1999 also, Chelsea Green Publishing Company published a revised, expanded and updated version of Judevine: The Complete Poems, first published in 1991. The play Judevine, which is based on the book, has now been produced 65 times in 24 states. David is also the creator and editor of The Judevine Mountain Emailite: a Cyberzine: an On-Line and On-Going Journal of Politics and Opinion. In 2000 David wrote the libretto for an opera, with music by composer Erik Nielsen, called A Fleeting Animal: An Opera from Judevine, which is based on two characters from the Judevine poems. In July of 2005 published his second book of poems in a series called While We’ve Still Got Feet.
David’s play, A Song for My Father, premiered in 2010 with two separate productions. For review excerpts, still photos, etc. In September of 2011 published Happy Life, his third book of poems in a series. In New York City David has performed at John Zorn’s The Stone, Merkin Hall at Lincoln Center, The Nuyorican Poets’ Cafe, The Knitting Factory, The Great Hall at Cooper Union, among numerous other venues. He has also performed with the Vermont Contemporary Music Ensemble. (Photo by Jeb Wallace-Brodeur)
When was your first desire to become involved in music and poetry?
Impossible to say for sure, but a long long time ago, probably in high school when I began writing poetry and was also playing trumpet.
How has the music and literature changed your life?
When I was 29--the same age as Han Shan (Cold Mountain) when he left civilization--I retreated to the remote mountains of northern Vermont where I've been ever since. [This was the year after 1968, the assignations of Martin Luther King and Bobbie Kennedy, the riots at the Chicago Democratic Convention, etc.] I write about my life in these mountains and I write about that in a musical way. Music and poetry are the same thing. Poetry is music with words instead of notes.
What characterize David Budbill’s poetry?
A rhythmic arrangement of words, an honest approach to whatever the materials are and attention to the environment I am in at the moment.
What experiences in your life make you a good poet?
I have no idea whether I'm a good poet or not. My job is to make poems. The good part is for somebody else to decide, but somebody who is NOT connected to the current establishment.
What experience in life is the trigger for the creation?
My everyday experience, what happens to me moment to moment and day to day.
Poetry and music can confront the “prison” of the spirit?
When poetry and music come into being the spirit is free, released, out of it's daily prison.
What was the relation between music and poetry?
A rhythmic arrangement of words, an honest approach to whatever the materials and attention to the environment that the music and poetry is coming out at the moment.
How important was the music in your life?
Very important. I listen to music every day and I play music everyday--currently I play shakuhachi--long tones and simple tunes. I've always played some kind of musical instrument--trumpet, the saxophones, flute, shakuhachi. I like the non-verbal nature of music, which is what I'm aiming for--that non-verbal-ness--with my poetry.
(David with Shakuhachi. Photo by Orah Moore)
Which is the most interesting period in your life and why?
Right now. Because it is right now.
What's been your experience from Lincoln University, in Oxford, PA at late 60s?
Teaching at Lincoln, which is an all-Black collete in Pennsylvania, for two years--those two years being 1967 and 1968--was an eye-opener. To be living in an all Black world during the assassinations of Martin Luther King, Bobby Kennedy and the riots in Chicago at the Democratic Nation Convention that summer, was to see Amerika from a Black perspective. I was disgusted with Amerika and it was then that I decided to go to the mountains of northern Vermont, to leave Amerika because it was broken beyond repair. Here's a quote from 17th Century Chinese, painter and poet, Xiang Shengmo
Entering the mountains is not avoiding the world,
But a deep desire to be far from floating fame.
From whom have you have learned the most secrets about the music and poetry?
Without a doubt from William Parker and Hamid Drake
Would you mind telling me most vivid memories from performing your poetry with Jazz musicians?
All my many performances with William Parker and with Hamid Drake.
So when did you begin reading and performing your works?
In January 1997 in New York City with William Parker, Cooper-Moore and Susie Ibara
What was that first experience like?
Scary and exhilariting.
What are the lines that connect the legacy of Jazz and Blues culture with Zen teaching and haiku?
I can't say but I know they are there.
Why did you think that Blues and Jazz continued to generate such a devoted following?
It's elemental music. It's about the human soul, about, as Mohandas Gandhi said, "the soul's upward surge and unrest."
What advice would you give to new generation?
Slow down when reading with musicians. See, feel how the words fit into, over, around and through the music.
What are your hopes and fears on the future of world, music and poetry?
That TV and the Internet, Itunes and so forth, will take the place of live music and live performance.
What made you laugh lately and what touched (emotion) you?
Old, very old, from the 30s and 40s, movies, for both laughed and touched.
Which incident of your life you‘d like to be captured and illustrated in a Zen painting?
(Photo by Joshi Radin 2011)
How you would spend a day with Buddha in a Jazz club?
Just "hangin' out and visitin'"
What would you say to Bob Kaufman?
What would you like to ask Bodhidharma?
Why do human beings suffer?
You have come to known great personalities. Which meetings have been the biggest experiences for you?
My friendship with William Parker, Hayden Carruth and Wendell Berry, etc.
....for the end of interview a poem by David Budbill
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