“Music is a unifying force, and coming out of the pandemic, live music has become even more cherished. However, economic challenges have shifted the landscape, with fewer people attending shows or buying physical music.”

Lucas Haneman: One Man …Band

Lucas Haneman is celebrated for his distinctive guitar tone, soulful voice, and magnetic stage presence, all of which reveal an authentic and rare passion for music. Nearly blind since birth, Haneman has developed one of the sharpest ears in the industry, with an extraordinary ability to learn music quickly and arrange solo guitar versions of almost any song thrown his way. Haneman has toured extensively across Canada and performed internationally at iconic locations like Beale Street in Memphis, pubs in London, England, and venues in Los Angeles, Nashville, New York City, and beyond. He has shared the stage with legendary artists such as The Dave Matthews Band, Robert Cray, the late Jeff Healey, Tal Wilkenfeld (Jeff Beck), Jack Pearson (Allman Brothers), James Cotton, and others. Known for his versatility, Haneman moves seamlessly through blues, R&B, jazz, and funk.                                                   (Lucas Haneman / Photo by Bianca Nadeau)
Lucas Haneman’s latest 7-tracks release, I’m Just One Man (2024), takes the concept of a “solo album” to a whole new level. Having played bass and drums since age 13, Haneman didn’t need to hire a rhythm section for this project. Instead, he performed every instrument himself—electric and acoustic guitars, bass, drums, percussion, and even some keyboard for added flavour. I’m Just One Man draws inspiration from Haneman’s favourite things in life: southern cuisine, New Orleans funk, swampy blues, and all things spicy. This instrumental album is a captivating collection of toe-tapping, ear-catching tunes, guaranteed to resonate with musicians and casual listeners alike.

Interview by Michael Limnios                   Special Thanks: Sarah French Publicity

What do you learn about yourself from the blues, and what does the blues mean to you?

For me, the blues is the purest form of self-expression through music. I’ve played a variety of styles, but none feels as natural or intuitive as the blues, especially when improvising. I see the term “blues” as broad and inclusive—it’s not just one sound or formula. I often find a bluesy spirit in music that others might not categorize as such. At its core, blues is about raw emotion, soulful delivery, and performances that captivate and connect. It’s a language that speaks directly to the soul.

How do you describe your sound, music philosophy, and songbook? Where does your creative drive come from?

My sound is expansive and genre-defying. I draw from blues, R&B, folk, and a touch of jazz, blending these influences into something uniquely my own. I’ve never been a fan of rigid genre labels—they can stifle creativity. My philosophy is simple: be unapologetically yourself. Authenticity is where true artistry thrives.

My songbook reflects this philosophy, spanning seven albums over 13 years. Since The LH Express released our debut album in 2015, my creative output has been steady, driven by a genuine love for writing and exploring new ideas. It’s been an incredible journey, and I feel lucky to continue growing and creating.

”The greats like Robert Johnson, Muddy Waters, and The Beatles weren’t copying what came before—they were innovators. I strive to do the same.” (Lucas Haneman / Photo by Bulldog Photography)

Why do you think the Canadian blues scene continues to generate such a devoted following?

The Canadian blues scene resonates because it offers something real and unfiltered, standing out against today’s polished, cookie-cutter mainstream music. As both a performer and guitar teacher, I’ve noticed a shift—many young people are disillusioned with the current pop landscape. These same teens often turn to underground or independent artists for inspiration, which is encouraging.

My own fan base spans generations, including younger listeners who might not typically gravitate towards blues. It’s rewarding to introduce them to the genre and show how it can be relevant and accessible. To keep the blues alive, we need to bridge gaps between traditionalists and newcomers, making the music inviting for all.

What have been the highlights of your career so far? Do you have any memorable moments to share?

I’ve been fortunate to experience some incredible highlights in my career. Travelling the world doing what I love has been a dream come true. Being welcomed into Jeff Healey’s home, sharing a conversation with James Cotton, and spending hours playing guitar with Allman Brother’s guitarist Jack Pearson are moments I’ll never forget. I’ve also had the honour of sharing stages with legends like The Dave Matthews Band, Robert Cray, David “Fathead” Newman, and The Downchild Blues Band.

There are also the smaller, more personal highlights—like performing with my wife Megan Laurence for the first time or collaborating with Trevor May of Mayfly Audio on a signature guitar pedal. Recently, I learned to mix my own music while recording my latest solo album, I’m Just One Man. These milestones, big and small, continue to shape my journey.

”For me, the blues is the purest form of self-expression through music. I’ve played a variety of styles, but none feels as natural or intuitive as the blues, especially when improvising.” (Photo: Lucas Haneman)

What do you miss most from the music of the past, and what are your hopes and fears for the future?

What I miss most is the complexity and innovation of past popular music—songs with distinct verses, choruses, key changes, and adventurous arrangements. There was a time when being different was celebrated. Now, nostalgia dominates, and innovation often takes a backseat.

I worry that blues, as a genre, might stagnate if we don’t embrace forward-thinking approaches. Too often, I see performers stuck in the past, and audiences reluctant to explore anything that doesn’t sound like the legends of old. For blues to remain relevant, we must innovate and push boundaries. If we don’t, the genre risks losing its significance.

What is the impact of music on socio-cultural dynamics, and how do you want your music to affect people?

Music is a unifying force, and coming out of the pandemic, live music has become even more cherished. However, economic challenges have shifted the landscape, with fewer people attending shows or buying physical music. To adapt, I’ve embraced solo and duo gigs, diversified my offerings, and leaned into creative merchandising.

On a personal level, I want my music to move people—whether it’s making them laugh, cry, or simply reflect. My wife Megan and I measure success by the emotional connections we create during performances. If someone leaves feeling something profound, we’ve done our job.

What are the most important lessons you’ve learned in your music career?

The biggest lesson I’ve learned is the importance of self-reliance. No one will fight for your career as hard as you will. Start projects, finish them, and don’t be afraid to take risks. Even if something doesn’t turn out as expected, the process itself is invaluable. I’ve also learned that rejection is part of the journey. The music industry can be a tough, shallow place, but perseverance and a thick skin are essential. Surround yourself with cheerleaders—people who believe in you and help you stay focused and positive.

”To keep the blues alive, we need to bridge gaps between traditionalists and newcomers, making the music inviting for all.” (Lucas Haneman / Photo by Gotcha Blues Images)

How are you keeping your music relevant and connecting with new generations?

The greats like Robert Johnson, Muddy Waters, and The Beatles weren’t copying what came before—they were innovators. I strive to do the same. With The LH Express’s 2023 album Painting Stars, we aimed to push the boundaries of blues, and the result was a #1 debut on the Roots Music Report in Canada. Tracks like “Hot Minute” even crossed into rock radio territory, proving that blues can evolve and find new audiences.

My recent solo album, I’m Just One Man, is another step forward. It’s an instrumental project meant to appeal to musicians and non-musicians alike. I played every instrument myself, and it represents a fresh direction for my music. Beyond recording, I’ve embraced online platforms like YouTube to reach new listeners. The comments and connections I’ve made there motivate me to keep pushing forward. It’s all about staying adaptable, creative, and committed to innovation.

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