“The truth is that some kids are coming and asking things about the blues, but I don’t really believe that there is a whole generation who could continue that. Times changed. But never say never. So, let’s just hope that this will happen.”

Niki Gourzoulidou: Soulful Groove

Niki Gourzoulidou (Niki Gourz) is one of the most accomplished and dynamic female drummers on the Greek music scene, serving as the solid rhythmic foundation of the legendary Blues Wire in recent years. Along with founder Elias Zaikos and bassist Sotiris Zisis, she completes the powerful trio of Greece's premier and most historic blues band, widely recognized as one of the most important of its kind in Europe. With her tight, precise, and passionate playing, she has shaped the band’s modern sound, earning the absolute respect of the music community. Her artistic activity includes hundreds of appearances on historic live stages (such as Kyttaro in Athens), major open-air festivals across the country, and the main music venues of Thessaloniki, which serves as the band's home base. In the studio, Niki has actively contributed to the band's recent releases, most notably on the exceptional album "Hobo Street", where her drumming stood out for its authenticity and versatility in delivering both classic blues standards and the band's original material.

(Photo: Niki Gourzoulidou)

As a musician, she is distinguished for her solid groove, unyielding timing, and her ability to balance the drive of rock-blues with the soulful feel of traditional Chicago and Texas blues. A true artisan of the stage, she always prioritizes teamwork and serving the song—qualities that, combined with the tremendous chemistry among the band members on stage, make her the ideal drummer for the demands and great history of Blues Wire.

Interview by Michael Limnios         Special Thanks: Niki Gourzoulidou & Elias Zaikos

How did it feel the first time you sat behind the drums for Blues Wire, especially after being a dedicated fan of theirs at Pararlama since you were 14?

That my dream came true and I'm starting to live it. This excitement will be forever. Respect always! The adoration I have for this group and for my two friends Elias and Sotiris will never stop.

What challenges did you face as a young woman entering the Blues scene and wanting to play drums in a traditionally male-dominated genre in Greece?

I was always prepared to face anyone and anything because of my nature, but I also got some funny stories. For example, while we were doing a soundcheck, I heard some people saying about me, "Ah! She must be the drummer's girlfriend" or "She must be the sound engineer's assistant." They could not even imagine girls on drums. This belongs more to the past, though. Nowadays, there are many girls on drums.

What makes the "blues shuffle" so unique, and what is the secret to maintaining that authentic, soulful groove?

It is a type of tempo that is identified with the blues. Love and passion is the secret to play a good soulful groove. We know that when you do things you like, you become better and better... when you don’t love what you do, sooner or later it pops out.

How do you build and sustain the musical chemistry within the rhythm section alongside Sotiris Zisis on bass after so many years of playing together?

Sotiris is a blessing for drummers! He is like a metronome. His sound helps me to play better. He is the other half of Elias. They have been together since 1979 and I want to note that the appreciation they have for each other is unique. Now I feel I became a part of this relationship.

“My advice would be to listen to tons of music, to read biographies of blues musicians, and to see films about it, because it’s helpful to know how these people lived. Also, to discuss with older players and go to blues festivals.” (Blues Wire: Niki Gourzoulidou, Elias Zaikos & Sotiris Zisis, the powerful trio of Greece's premier and most historic blues band / Photos by Makis Tzaris & apos_trolis)

How does the improvisational style of Elias Zaikos shape and influence your drumming during live performances?

Elias is a huge inspiration. He is THE blues man! His faith for the blues, the way he shares the stage, and his professional style make me feel steady and safe, and at the same time, I can fly to the sky. He gives me many advices till today.

What is the most vivid or funny memory you cherish from your countless tours and concerts both in Greece and abroad?

We were playing at Kyttaro, supporting the Rory Gallagher tribute band, and our stage time was specific—only 50 minutes. I thought it was impossible to jam with somebody because the set was very short. But Elias Zaikos is unique in this part too. He asked our friend who’s playing harmonica to join us. He loves sharing the stage. There are many videos on the web where you can see it happening. There were times at Kyttaro that on stage you could count 10 or more musicians. Amazing!

Another moment comes from a festival in Gorgomylos. We were scheduled to play after Socrates, and because of rain there was a long delay, so we hit the stage at 03:35 a.m. I’ve never played that early. And there were still almost 150 crazy people who enjoyed the concert. That was a special moment.

How easy or difficult is it to keep the creative spark alive in a band with such a long, historic, and successful journey?

As I said before, nothing is difficult when there is true love, dedication, and consistency. We are grateful to keep on playing.

How do you view the future of Blues music in Greece today? Are you noticing a new generation of audiences showing interest?

The truth is that some kids are coming and asking things about the blues, but I don’t really believe that there is a whole generation who could continue that. Times changed. But never say never. So, let’s just hope that this will happen.

What advice would you give to a young kid who is just starting out on the drums and wants to dive into the world of the Blues?

My advice would be to listen to tons of music, to read biographies of blues musicians, and to see films about it, because it’s helpful to know how these people lived. Also, to discuss with older players and go to blues festivals.

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(Niki Gourzoulidou / Photo by Cloud 10)