“Simply put, I have heard too many other styles of music as a result of being born where and when I was. To deny their influence on me would be limiting myself as well as being dishonest. That said, if I can't put the Blues into what I'm playing then I feel like I'm not properly contributing to the music. The sound and feel of the great Blues musicians are what I aspire to first. The other stuff just seeped in as a result of being exposed to it.“

Grant Lyle: And Now… Speaks Guitar

Toronto-based Grant Lyle is a powerhouse frontman known for his electrifying presence and dynamic guitar playing. Grant blends raw, punchy chops with smooth, fluid phrasing, crafting a sound that captivates audiences from start to finish. Lyle's guitar solos are sharp and emotive, effortlessly blending technical skill with soulful improvisation. His commanding stage presence keeps the audience on their toes, while the rhythm section locks in tight, creating a groove that's impossible to resist. Grant Lyle's performances transcend the setting - whether he's playing a small, intimate venue or a festival stage, his music connects with the audience no matter the distance. His ability to command attention with just an acoustic guitar and his voice is a testament to his skill as a musician and storyteller. With every note, Grant captures the essence of the blues, making even the most familiar classics feel fresh and raw.

(Photo: Grant Lyle)

Grant Lyle released his eighth recording, aptly titled “And Now” (2025). The new songs highlight Lyle's many talents both as a guitarist and a singer-songwriter, showcasing deep respect for the traditions of blues and roots music while putting his own spin on it. With eight original songs and one masterful cover of The Spencer Davis Group's "Gimme Some Lovin'". With And Now, Grant Lyle has created an experience that speaks directly to the soul.

Interview by Michael Limnios                   Special Thanks: Sarah French Publicity

How has the music influenced your views of the world? What does the blues mean to you?

Music itself doesn't shape my views on any subjects or subject matter. Some lyrics can be topical or even political, but music itself can transcends those limitations. The Blues in particular is a form that is always vital because you express yourself in the moment, and that will change depending on how you feel from day to day.

How do you describe your sound, music philosophy and songbook? What's the balance in music between technique and soul?

It's difficult to describe my sound objectively, sometimes I don't think I do anything different than anyone else. Like most players, I'm keenly aware of my limitations and do my best to push myself beyond them. There are certain sounds that I aim for and on good days I can get there. Regarding technique I think you need just enough as is required to perform whatever it is you're doing, then all the other aspects of music need to be layered on top of that, such as tone, phrasing and that ever elusive something that we all call "soul". They're just as important.

Why do you think that the Canadian Blues Rock scene continues to generate such a devoted following?

I think Blues has a loyal following wherever there are people who love the form. Canada is a small country population-wise, and because of this I think we take a quiet pride in supporting each other here. I am always very happy when I see young musicians take up the Blues, and there's a lot of that happening now.

“I love some of the new sounds and modes of making music. I'm constantly surprised at what I hear out there. Sometimes I am able to incorporate those things into what I'm doing. I hope to always have that curiosity and openness.” (Photo: Grant Lyle)

What do you miss most nowadays from the music of the past? What are your hopes and fears for the future of?

Music certainly sounds different today than it did in the past, but technology has changed. When technology changes, music changes. It's always been that way. I still listen to music that was performed when they made the first phonographs. The performances are amazing. I'm optimistic that we will constantly be trying to develop that facet of ourselves, to be the best we can be at any given time.

Your work is known for creatively re-imagining blues tradition. How do you balance respect for the roots with experimentation?

Simply put, I have heard too many other styles of music as a result of being born where and when I was. To deny their influence on me would be limiting myself as well as being dishonest. That said, if I can't put the Blues into what I'm playing then I feel like I'm not properly contributing to the music. The sound and feel of the great Blues musicians are what I aspire to first. The other stuff just seeped in as a result of being exposed to it.

What are some of the most important lessons you have learned from your experience in the music paths?

A lifetime of playing and performing music is unique education that's for sure. I've found that I've learned about people in general. Your band mates, your audience, your interactions with the world; everything really involves respecting them and working with them. I didn't always see things that way. I do now.

What are you doing to keep your music relevant today, to develop it and present it to the new generation?

I love some of the new sounds and modes of making music. I'm constantly surprised at what I hear out there. Sometimes I am able to incorporate those things into what I'm doing. I hope to always have that curiosity and openness.

What is the role of music in today’s society? How do you want the music to affect

people?

Music's always been part of us and I suspect it always will. That's a good question, I suppose a better question is; why are we musical creatures to begin with? It must do something for us!

Grant Lyle - Home

(Photo: Grant Lyle)