Q&A with fingerpicking songwriter Taylor Hollingsworth, unique blend of rock, blues and eccentric folk sensibility

"I miss real live performances and fun music from the 50s. Huge fan of the golden oldies. Wish songwriting that gets big was still good and clever. Really worried about AI music just taking over and clogging up the American music toilet."

Taylor Hollingsworth: Electric Folk

Taylor Hollingsworth, the fingerpicking songwriter hailing from the vibrant city of Birmingham, AL, is back with an electrifying, foot-stomper of a new album titled "Yahola" (2024). With his unique blend of folk, rock, and blues, Taylor has carved out a distinct musical niche that he calls "folk n' roll" or electric folk. In a world full of manufactured pop sensations and cookie-cutter artists, Taylor stands apart as a true maverick of original music. Recorded in the heart of hill country blues at Dial Back Sound in Water Valley, MS, this record will stand out to those who love the genre but are seeking a fresh take. For now, Taylor's natural habitat lies within the cozy confines of local bars in and around Alabama, often with his own PA system. You might even catch him busking at local malls or farmers markets, always remaining committed to performing his original material. Taylor's unwavering passion and dedication is a testament to his artistic integrity.

(Taylor Hollingsworth / Photo by Wes Frazer)

Taylor's dedication to his craft has earned him accolades and recognition both within and outside the local music scene. His immense talent on the guitar, coupled with his remarkable songwriting abilities, has earned him a rightful place among music connoisseurs. Notable achievements in Taylor's musical journey include having his works featured in popular TV shows, podcasts, and movies, showcasing his ability to strike an emotional chord with listeners. Esteemed artists such as Conor Oberst and Phoebe Bridgers have recognized Taylor's songwriting prowess by covering one of his songs. Prepare to be captivated by his latest album, "Yahola," as Taylor Hollingsworth once again leaves an indelible mark on the music world. 

Interview by Michael Limnios            Special Thanks: Tony Bonyata / Pavement PR

How has the music influenced your views of the world? What moment changed your music life the most?

Hmmm, not really sure how my music has influenced my view of the world other than it has shown me how music brings people together. Almost all of my best friends I have made in life has been through music. Either by playing music together or just meeting people who love the same artists as I do. I have actually become very close friends with many people who were initially fans of my music. Being a small artist puts me in clubs and venues that are small and intimate which allows me to really get to know people. I don’t just disappear backstage after a performance. I sell my own merch and try to talk to everyone. I’m very grateful to the people who follow me and really try to let them know that by engaging in conversation etc.

How do you describe your sound, music philosophy and songbook? Where does your creative drive come from?

I have named my sound “folk n roll,” or “electric folk.” I’m very much a folk artist or singer/songwriter but I often find other artists in those genres to be boring or just all sounding the same. I try to keep my music creative and original while still maintaining a relatable or familiar sound. As for my creativity, I have no clue where it comes from. Feels like an antenna is up in the sky catching songs that already exist, and I get sign my name on them like catching a big fish.

"Every song is different. I guess I just want people to actually listen to the words. I try to spread a positive message if I can. I try to play fun and happy music but i do occasionally write sad songs too. Just a big part of my life is sad." (Taylor Hollingsworth / Photo by Wes Frazer)

What were the reasons that you started fingerpicking’ and foot-stomp‘s researches and experiments? What's the balance in music between technique and soul?

When I was a kid, my dad used to play me Chris Smither. He’s amazing. I remember he and his friends would talk about how that was the real deal. Someone who could pick like that and kicked his foot on a wooden board with just his songs. My dad died when I was 14 and I guess I always hung on to that idea. It took me a while of living before I went there but eventually, I did. I do it differently though, with an electric guitar and kick.

What do you miss most nowadays from the music of the past? What are your hopes and fears for the future of?

I miss real live performances and fun music from the 50s. Huge fan of the golden oldies. Wish songwriting that gets big was still good and clever. Really worried about AI music just taking over and clogging up the American music toilet.

What is the impact of music on the socio-cultural implications? How do you want the music to affect people?

Every song is different. I guess I just want people to actually listen to the words. I try to spread a positive message if I can. I try to play fun and happy music but I do occasionally write sad songs too. Just a big part of my life is sad.

What are some of the most important lessons you have learned from your experience in the music paths?

Be kind always. Treat everyone with respect even if you don’t get what they do. Also be easy to be around, not difficult. And for me personally, I had to quit drinking. I made so many bad decisions while being drunk. I know some folks can handle it but I really can’t. Also, appreciate what you have. If you are fortunate enough to make a living playing music, even just locally like I do, you are very lucky. I am very grateful to those who keep me working. I used to take it for granted like a dumbass.

Taylor Hollingsworth - Home

(Taylor Hollingsworth / Photo by Wes Frazer)

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