"It’s almost like an affliction, but a GOOD affliction, because the Blues is about life, and having your eyes and your ears open, and that poor thing that’s in between them..."
Tad Walters: North Carolina Blues
Tad Walters is a young and soulful North Carolina guitarist, bassist, harp player, and vocalist who spent a long time jamming with urban bluesman Bob Margolin before putting his own band together in Raleigh. Born in Canton, Ohio, and raised in Raleigh, North Carolina, Tad Walters began playing the guitar at age 12. As he was developing his guitar skill, Tad picked up the harmonica a couple years later at fourteen. He was influenced by the likes of Blind Boy Fuller, Robert Lockwood, Charlie Patton, Robert Nighthawk, and John Jackson, among others, and began his professional music career with the Bob Margolin Band in 1996.
"In other parts of the world, this music is like a foreign delicacy. People have their own musical traditions, and maybe the Blues sounds funny or interesting to them." (Photo by A.J. Shapiro)
In that four year period he traveled the world with the band and played with musicians like Pinetop Perkins, Hubert Sumlin, Billy Boy Arnold, Cary Bell, Dave Myers, John Jackson, John D Holeman, Willie Smith and many others. In 2001, Tad joined the Big Bill Morganfield band and stayed until 2004. Tad is now teaching guitar and harmonica lessons and concentrating on Piedmont blues and old-time jazz with Dave Andrews.
Tad is quite adept at all of the different "styles" of blues, and takes great pride in his own songs, such as "Cold Blooded Murder", and "Break 'Em on Down". Tad leads his own band, and also plays by himself. Tad talks about the blues, harmonica, Robert Lockwood Jr, Bob Margolin, John Jackson, Pinetop Perkins and Vietnam's war.
What do you learn about yourself from the blues and what does the blues mean to you?
Well, when I was a kid, the sound, and the feeling of the Blues fit me. It just fit me as a person. I didn’t know why back then, and I still don’t. It’s almost like an affliction, but a GOOD affliction, because the Blues is about life, and having your eyes and your ears open, and that poor thing that’s in between them….
How do you describe Tad Walters sound and what characterize your music philosophy?
Both my sound, and philosophy is very simple. Then again, it’s not. Sorry, no easy answers! For myself, I just go by what I feel like playing at the time. I have spent years learning all about music, and all kinds of music. There are some certain “tricks” you can use when you play or write. I might go through something in my life, and BAM!....all of a sudden, something rhymes. All of a sudden, a melody might pop in my head. I attribute that to God giving me something. I am very thankful for all of that!
Why did you think that the Blues music continues to generate such a devoted following?
In other parts of the world, this music is like a foreign delicacy. People have their own musical traditions, and maybe the Blues sounds funny or interesting to them. How do these notes sound so good, and how do they make it work?? Why can’t I stop my foot from tapping, and why do all the women go crazy when you do it right?? Short answer: Women. hehe
What’s the best jam you ever played in? What are some of the most memorable gigs you've had?
I’ve played with so many great musicians, that is question is impossible to answer. When people are comfortable, they play their best. If I named anybody, I would go back, and forget about somebody, and that would make me feel terrible. I like the folks I play with. We make try to make music that sounds good to people.
Which meetings have been the most important experiences for you? What is the best advice ever given you?
That’s easy. Robert Lockwood Jr… He was my favorite guitar player since I was a kid, and he still is at this minute! I was very lucky to be able to have known that dude. The only human being that ever inspired fear in me. Just my dumb ass trying to impress him. I learned Jazz from Robert Jr… That guy is the foundation of everything I try to play on a guitar, and everything I know about music.
Are there any memories from Bob Margolin and Pinetop Perkins which you’d like to share with us?
Pinetop Perkins, the best piano player I ever played with. He was almost perfect! He would put something in, and you just play off of it., or else YOU put something in, and he would play off of it. That’s the way this music is supposed to go! Back and forth.
So many funny stories! All I can say is, Pinetop is still an inspiration to poor me. He smiled at everybody, and made them his friend. I learned a lot from that Old Fart!
Bob Margolin. Bob gave me a chance when I was 19, and took me on the road with him. I cannot begin to tell you how much I learned. If I tried to pay Bob back what I owe him, I’m forever in debt! About 20 years later, and I’m still playing with him. For myself, we make the best music together. Bob Margolin has had about a big a impact on my life as anyone. Bob is my family. (Tad & Bob Margolin, Photo by Alex Forsyth)
What do you miss most nowadays from the blues of past? What are your hopes and fears for the future of?
Truly, I miss the older folks, that I was blessed to meet. They had wisdom, and also knew what the music should sound like. I was very lucky! There is a tradition in this music, and I really hope it can be carried on correctly. It tends to get “watered down” with each generation, but what can you do? Feel that stuff in your bones, and even pray on it. It won’t go away, because it’s just too mean to die.
If you could change one thing in the musical world and it would become a reality, what would that be?
I can’t change anything; I just try to play along with it...
Which memory from Billy Boy Arnold, John Jackson, and Hubert Sumlin makes you smile?
John Jackson was one of the first people to make me feel good about myself trying to play music. He would send me Christmas cards every year, and he always loved me. I think about him all the time!
Hubert!!! It doesn’t matter which guitar he has in his hand, it always sounds like Hubert! You make the sound with your hands. If you happen to hit a note that ain’t quite right, bend it until it is, and then OWN it! I miss Hubert very much too.
I still talk to Billy Arnold on the phone. We send each other CD’s of what we have been doing. I wish I had recordings of some of our conversations; there is so much musical history in there. Once again, I am very lucky.
What has made you laugh lately and what touched (emotionally) you from the music circuits?
"I miss the older folks, that I was blessed to meet. They had wisdom, and also knew what the music should sound like." (Photo by Dave Brainard)
What are the differences between a blues guitarist and a harmonica player? What do you prefer?
Most of the time, a guitar player has another job, and is a more stable person. Usually, he has a good head on his shoulders. Why somebody picks up a harmonica to make music is beyond me. The harmonica is the most God-Awful sounding instrument in history. BUT, if you can make the damn thing sound good, maybe you won’t go straight to Hell when you die. Why not learn both?
Let’s take a trip with a time machine, so where and why would you really wanna go for a whole day..?
Time Machine? I would visit my Dad in Vietnam. Also, I would play with Muddy Waters. I think we have about the same idea about music.
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